Jacksonville University Vocal Students
Kimberly Beasley, coordinator
Jacksonville University is a comprehensive, private university with more than 70 respected academic programs that attract nearly 3,000 students from all over Florida, across the nation, and around the world. Working closely with a distinguished faculty of professional performing artists and researchers, students can focus and refine their skills while deepening an appreciation for the musical arts.
Music students at Jacksonville University may pursue a Bachelor of Arts (B.A.), Bachelor of Fine Arts (B.F.A.), Bachelor of Music (B.M.), Bachelor of Music Education (B.M.E.), or a Bachelor of Science (B.S.).
Leanna Brown – Junior, B.F.A. in Music Theatre
Gretchen am Spinnrade / Schubert
Jordyn Jones – Junior, B.F.A. in Music Theatre
O Primavera / Tirindelli
Alec Hadden – Junior, B.F.A. in Music Theatre
They all Laughed / Gershwin
Shouldn’t I be less in Love (I Love You, You’re Perfect, Now Change) / DiPietro and Roberts
Michelle Csapek – Junior, B.F.A. in Music Theatre
Amorosi miei giorni / Donaudy
A New Life (from Jekyll and Hyde) / Wildhorn and Bricusse
Michelle Mestas – Senior, B.F.A. in Music Theatre
Abendempfindung an Laura / Mozart
I Remember (Evening Primrose) / Sondheim
Tiffany Thomas – Senior, B.M. in Voice Performance
Rencontre (Poème d'un jour) / Faure
I Wonder What Became of Me (St. Louis Woman) / Arlen and Mercer
Jet Thomas – Senior, B.F.A. in Music Theatre
Meine Rose / Schumann
Fly, Fly Away (Catch Me if You Can) / Shaiman and Wittman
Elyn Wolfe – Senior, B.F.A. in Music Theatre
La Serenata / Paolo Tosti
Now That I’ve Seen Her (Miss Saigon) / Schönberg and Boublil
Raquel Lopez – Senior, B.F.A. in Music Theatre
Quando ti rivedrò / Donaudy
Trouble Man (Lost in the Stars) / Weill
Brittany Nickell – Senior, B.M. in Voice Performance
Porgi, Amor (Marriage of Figaro) / Mozart
Breit' über mein Haupt / Strauss
Kimberly Beasley, Assistant Professor of Voice, holds a Bachelor's degree in Music Theatre from the University of Colorado, a Master of Music from Valparaiso University and a Certificate of Vocal Performance from Northwestern University where she studied with Sunny Joy Langton and coached with Sherrill Milnes. Singing in all styles, she has performed with the Jacksonville Symphony Orchestra, the Northwest Festival Orchestra in Chicago, Southwest Michigan Symphony, Elmhurst Symphony, the Northwest Indiana Symphony, DuPage Opera Theatre, the New Philharmonic Orchestra, Light Opera Works, Music at Main, Friday Musicale, Jacksonville University Orchestra, and the Grant Park Symphony Chorus and the Lyric Opera of Chicago Chorus at venues such as the Times-Union Center in Jacksonville, the Star Plaza in Indiana, Chicago’s Millennium Park , and the Civic Opera House in Chicago. Roles include Solvieg, Micaëla, Dorine, Serpina, Rosina, Cinderella, Angelica, Josephine, and Ciao-ciao San in productions of Cavalleria Rusticana, Fidelio, Turandot, Peer Gynt, Into the Woods, Suor Angelica, Barber of Seville, Tartuffe, H.M.S. Pinafore, Carmen, and Madama Butterfly. She is an avid recitalist, both locally and in concerts and recitals from Chicago to Colorado. Kimberly also serves as a stage and music director for musicals and operas. She was the music director, to critical acclaim, of Last Five Years for OneTheatre in Chicago, and in 2011 she stage directed Little Women, the Musical for Jacksonville University, a production which won awards for Best Actor and Best Lighting Design from Broadway World.
INTRODUCING THE SINGERS
PROGRAM NOTES, by Edward Lein, Music Librarian
In addition to numerous symphonies, chamber works, masses, and solo piano music, the Austrian composer Franz Schubert (1797-1828) composed over 600 songs in his short life, and he has remained unsurpassed in the ability to marry poetry with music. Even Beethoven, who apparently never met the younger composer, touted Schubert's genius when he was given some of Schubert's songs shortly before his death. Gretchen am Spinnrade ("Gretchen at the Spinning Wheel") was the first work that brought a 16-year-old Schubert to the attention of Viennese music-lovers, and it is still regarded as among the finest of all German Lieder. The text, drawn from Goethe's Faust (Part 1), relays the obsessive confusion, bordering on despair, of the still innocent Gretchen after she has become infatuated with Faust, but then is seemingly deserted by him. The motion of Schubert's piano part reflects not only the whirring of the spinning wheel, but also Gretchen's increasingly agitated emotional state.
- YouTube performance (3:22)
Pier Adolfo Tirindelli (1858-1937) was an Italian composer, violinist, conductor and teacher. In 1883 he accepted the post of professor of violin at the Conservatory of Venice, and assumed directorship of that institution from 1893 to 1895. He then moved to the United States until 1922, as a professor of violin and conducting at the Cincinnati Conservatory. Returning to his homeland, he devoted the last period of his life to composing, producing songs and instrumental works in addition to three operas. Tirindelli's Neapolitan song O Primavera (O Springtime), originally published in 1911 during his American sojourn, was dedicated to the famous Italian tenor Enrico Caruso (1873-1921).
- YouTube performance (2:29)
George Gershwin (1898-1937) wrote his first song in 1916 and his first Broadway musical in 1919, and he remained a fixture of the New York stage for 14 successive years. In 1924 he enjoyed success in applying jazz idioms to concert works, as with Rhapsody in Blue, and until the end of his life he produced larger-scale works alongside songs for musicals and films. They All Laughed is included in Shall We Dance?, the 1937 movie musical starring Fred Astaire and Ginger Rogers.
- YouTube performance (2:37)
Although The Fantasticks maintains the number one spot, I Love You, You're Perfect, Now Change, by Joe DiPietro and Jimmy Roberts, is the second-longest running Off Broadway musical, amassing 5003 performances between 1996 and 2008. Described as "Seinfeld set to music," it is structured as a series of mostly independent vignettes with a multitude of different characters, but taken together the scenes depict a progression of romantic life from the first date through married life with children. In Shouldn’t I be less in Love an unnamed "Man" reflects on expectations one has after 30 years of married life.
- YouTube performance (2:58)
Don't feel too badly if you don't recognize the name of Stefano Donaudy (1879-1925)--although the Sicilian-born composer rates a place in Baker's Biographical Dictionary of Musicians (2001), there is no entry for him in the 2nd edition of New Grove Dictionary (also 2001). As a precocious "tween" Donaudy wrote Folchetto (1892), the first of his six operas. He enjoyed early successes with both his songs and operas, and he also composed a few purely instrumental pieces. But his luck ran out with his poorly-received final opera, La Fiamminga (Naples, 1922), and the disappointment at its failure (apparently coupled with declining health) caused him to abandon composing for his few remaining years. Despite the composer's relative obscurity, several of Donaudy's three dozen 36 Arie di Stile Antico ("36 Arias in Antique Style," 1918, revised 1922) have been championed from the early recorded era to the present day by many the world's foremost singers. Amorosi miei giorni ("My Amorous Days"), the 27th song in the collection, is a setting of a poem by the composer's brother, Alberto Donaudy (1880-1941), who likewise provided the texts for the majority of Stefano's songs and operas.
- YouTube performance (3:31)
Jekyll and Hyde (1990) is the best known musical by American composer Frank Wildhorn (b.1958), and at the same time it was on Broadway Wildhorn had two other shows playing just down the street: The Scarlett Pimpernel (1997) and The Civil War (1998), and these last two were nominated for Tony Awards, as was his Bonnie and Clyde (2009). Based on the Strange case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1850-1894), the Tony-nominated book and lyrics of the musical version are by British composer Leslie Bricusse (b.1931), whose early collaborations with fellow Brit Anthony Newly (1931-1999) gained them international fame, along with both a 1963 Tony (for Stop the World, I Want to Get Off) and Grammy (for What Kind of Fool am I)--and Bricusse has since had numerous additional nominations for his work in movies and stage musicals, and has won two Oscars®. The song A New Life is sung by "Lucy," a showgirl infatuated with the kind-hearted Dr. Jekyll, who has just sent her money to move away to safety and start her life over. Sadly, she is also being terrorized by the murderous Mr. Hyde, who has other plans for her.
- YouTube performance (4:10)
Austrian-born Wolfgang Amadeus Mozart (1756–1791), unquestionably one of the greatest composers in history, began his career touring Europe as a 6-year-old piano prodigy, and he absorbed and mastered all the contemporary musical trends he was exposed to along the way. Mozart wrote 22 operas, including, Le nozze di Figaro (1786), Don Giovanni (1787), Cosi fan tutte (1790), and The Magic Flute (1791), as well as 40 symphonies (“No. 37” is by Michael Haydn, but with a new introduction by Mozart), 27 concertos, chamber music, sonatas, and choral pieces, numbering over 600 works all together. Abendempfindung an Laura (Laura's Evening Sentiment" (K. 523) was written in 1787, and although exactly who "Laura" represents remains a mystery, her melancholy musing provided the inspiration for what is considered Mozart's finest song for voice and piano, which in turn provided Schubert a worthy example of what the genre might aspire to.
- YouTube performance (6:41)
Described by The New York Times as the greatest artist working in musical theater, Stephen Sondheim (b.1930) certainly has won enough awards to help back up the statement, including eight Tony awards (more than any other individual), an Academy Award, multiple Grammys, and the Pulitzer Prize. His astounding output includes A Little Night Music, Into the Woods, Sunday in the Park with George, and Sweeney Todd, to name but a few. I Remember is one of four songs from the 1966 television musical Evening Primrose, and the hour-long production was written especially for a series called ABC Stage 67.
- YouTube performance (3:17)
Gabriel Fauré (1845-1924) was a composer, organist, pianist and teacher, and he is widely regarded as the foremost French composer of his generation. Although Fauré greatly admired Wagner he remained relatively free of Wagner’s highly-colored influence, and instead led his own harmonic revolution by treating chords with added 7ths and 9ths as consonant and by introducing modal inflections into an essentially diatonic framework; in the process he successfully bridged the styles of Saint-Saëns (his teacher) and Ravel (his student). Fauré’s compositions are distinguished by perfectly crafted melodies floating over rich and radiant backgrounds. Among his best-known works is the hauntingly beautiful choral Requiem, and his songs and chamber music have as a devoted, and well-deserved, following. Rencontre ("Encounter") is the first of the three songs that comprise Fauré’s Poème d'un jour ("Poem of a Day"), Op. 21 (1880).
- YouTube performance (2:12)
A preeminent composer of American popular song, Harold Arlen (1905-1986) began life as Hyman Arluk in Buffalo, New York, but changed his name in 1928, three years after he moved to The Big Apple to play piano for vaudeville acts. He scored his first big hit as a songwriter in 1929 with Get Happy, and didn’t stop until his catalog had over 400 entries and many standards, including Stormy Weather, That Old Black Magic, The Man That Got Away, and, of course, Over the Rainbow. I Wonder What Became of Me is from the 1946 musical St. Louis Woman, which Arlen co-wrote with Johnny Mercer (1909-1976). The show, based an the novel God Sends Sunday, by noted Harlem Renaissance writer Arna Bontemps 1902-1973), was criticized for the stereotypical portrayal of its characters, but the songs are regarded as among the very finest that the songwriting pair produced.
- YouTube performance (2:43)
The hopes of the great German Romantic composer Robert Schumann (1810-1856) to become a concert pianist were dashed in his early twenties when he permanently damaged his hand, so he redirected his energies to both composing and music criticism. From childhood he was torn between literature and music, but he managed to combine these two loves even in some of his purely instrumental music by using poetry and dramatic narrative to color and direct the musical discourse. Although his taste in song texts sometimes seems questionable by today’s standards, Schumann’s keen literary sensibilities nonetheless made him one of history’s greatest songwriters, and his finest Lieder rival those of Schubert. Meine Rose ("My Own Rose") is the second song incuded in 6 Gedichte von N. Lenau und Requiem, Op.90 (1850). Schumann added the Requiem to the six poems by Lenau because, while composing the songs, Schumann was under the impression that the poet was deceased. He happily learned that Lenau was still alive, but by a strange turn of events, on the very day that the songs were first performed Schumann received word the Lenau had, in fact, just died.
- YouTube performance (3:30)
Composer and arranger Marc Shaiman (b.1959) has won Tony, Grammy, and Emmy awards, has been nominated for the Oscar®, and has appeared in film, television, and theatrical productions as a performer. He is perhaps best known for the musical Hairspray (2002), which he co-wrote with lyricist, writer and director Scott Wittman (b.1959). Among numerous other collaborations, the partners have a new musical, Charlie and the Chocolate Factory: the Musical, in the works for a 2013 production date. In 2009 they wrote the songs for Catch Me If You Can, a musical based on the 2002 Steven Spielberg film, which in turn was based on the 1980 autobiography of Frank Abagnale, Jr., an elusive con artist. Fly, Fly Away is sung by "Brenda," a nurse who has fallen in love with the rogue and swears she will never help the FBI catch him--only she is tricked into doing just that.
- YouTube performance (5:30)
In the earliest days of his career as a singer-songwriter, Italian composer Francesco Paolo Tosti (1846-1916) had a difficult time making a living, reportedly living on oranges and stale bread for weeks at a time. But his talents eventually lead him into the highest reaches of fashionable society, and he became singing master first to the Queen of Italy, and then, in 1880, to the British Royal family. By the mid-1880s he had become the most popular songwriter in Britain, and he received a professorship at the Royal Academy of Music in 1894. Tosti became a British citizen in 1906, and was knighted by King Edward VII in 1908, but he returned to his homeland in 1913 and spent his remaining years in Rome. Although he never wrote an opera, his finely crafted melodies have been favorites of opera stars since the early years of the recorded era.
- YouTube performance (3:02)
Following the stunning success of their musical version of Les misérables (1985), composer Claude-Michel Schönberg (b.1944) and lyricist Alain Boublil (b.1941) scored another huge success with Miss Saigon (1989), in which they transform the story of Puccini's Madama Butterfly into a Vietnam War-era tragedy. Now That I’ve Seen Her is sung by "Ellen," the betrayed, but nonetheless determined, American wife of "Chris," the G.I. who fathered a child with the innocent Vietnamese girl, "Kim."
- YouTube performance (2:54)
Stefano Donaudy's Quando ti rivedrò? ("When might I see thee once again?"), is the 22nd song in 36 Arie di Stile Antico, and like the aforementioned Amorosi miei giorni is a setting of a poem by the composer's brother, Alberto Donaudy.
- YouTube performance (2:09)
German composer Kurt Weill (1900-1950) is most remembered for his works for the stage, especially The Threepenny Opera (1928), in collaboration with Bertolt Brecht (1898-1956), but he also produced a prodigious amount of art songs and concert and chamber music during the first decade of his career. Despite his popularity with the German public, Weill became a target of the Nazis during the early 1930s, and the Jewish socialist and his famous wife, the Austrian chanteuse and actress Lotte Lenya (1898-1981), were forced to flee Germany in 1933. They moved to New York City in 1935, and he eventually became an American citizen. Weill immersed himself in American popular song and Broadway musicals hoping to develop a style that synthesized European opera with American musical theater, perhaps building on Gershwin's Porgy and Bess (1935), but definitely setting the groundwork for future achievements, like Bernstein's West Side Story (1957) and Sondheim's Sweeney Todd (1979). Weill's efforts were officially rewarded in 1947 when Street Scene earned him the first-ever Tony Award for Best Original Score. Premiering in 1949, the year before his early death, Weill's last work for the stage was Lost in the Stars, with book and lyrics by Maxwell Anderson (1888-1959), and based on the novel Cry, the Beloved Country (1948) by Alan Paton (1903-1988). With South African apartheid as a backdrop, the sad, but ultimately hopeful tale relates the story of "Stephen Kumalo," a black Anglican priest, as he searches for his son, only finally to find him awaiting trail for murder. Before father and son are reunited, Father Stephen has a meeting with his son's pregnant girlfriend, "Irina," who relates her anxiety in Trouble Man.
- YouTube performance (4:06)
In 1786, Mozart and librettist Lorenzo da Ponte (1749-1838) began their highly successful collaboration with the comic opera, Le nozze di Figaro (“The Marriage of Figaro”), which pokes wicked fun at the aristocracy. “Figaro,” formerly a barber in Seville, is now the valet to “Count Almaviva.” Figaro is about to marry “Susanna,” the maid to the Count's wife, and both Figaro and the "Countess" are unhappy, to say the least, when the Count makes inappropriate advances toward Susanna. Eventually the bride and groom team up with the wronged Countess to outwit the old philander, but not before the Countess laments her husband's would-be infidelity in Porgi, Amor ("Grant me, O Love").
- YouTube performance (4:00)
Richard Strauss (1864-1949) was the most famous German composer of the late Romantic and early modern eras, and was also one of the period's most famous conductors. Among his best-known works are his operas, including Der Rosenkavalier and Salome; and his tone poems, including Death and Transfiguration, Till Eulenspiegel's Merry Pranks, and Also sprach Zarathustra, the opening of which is immediately identified with Stanley Kubrick's revolutionary film, 2001: A Space Odyssey. Strauss wrote songs throughout his career, including his very last work, the beautiful Vier letzte Lieder ("Four Last Songs", 1948), for soprano and orchestra. Published in 1923, Breit' über mein Haupt dein schwarzes Haar ("Upon My Head Let Fall Thy Black Hair") is the second song in Strauss's 6 Lieder aus 'Lotosblätter' ("6 Songs from 'Lotus Petals'"), Op. 19, on poems by Aldolf Friedrich Graf von Schack (1815-1894).
- YouTube performance (1:37)